Are You My Mother? A Comic Drama
Houghton Miflin Harcourt, 2012
From the New York Times bestselling author of Fun Home, Are You My Mother?: A Comic Drama is a brilliantly told graphic memoir of Alison Bechdel becoming the artist her mother wanted to be.
A New York Times, USA Today, and Time Best Book of the Year
Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood . . . and who stopped touching or kissing her daughter good night, forever, when she was seven.
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother — to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers.
Kirkus (15 February 2011): “On the surface, this is the “mom book” following the previous “dad book.” Yet it goes more deeply into the author’s own psychology (her therapy, dreams, relationships) and faces a fresh set of challenges. For one thing, the author’s mother is not only still alive, but also had very mixed feelings about how much Bechdel had revealed about the family in the ﬁrst volume. For another, the author’s relationship with her mother—who withheld verbal expressions of love and told her daughter she was too old to be tucked in and kissed goodnight when she turned 7—is every bit as complicated as the one she detailed with her father. Thus, Bechdel not only searches for keys to their relationship, but perhaps even for surrogate mothers, through therapy, girlfriends and the writings of Virginia Woolf, Adrienne Rich, Alice Miller and others. Yet the primary inspiration in this literary memoir is psychoanalyst Donald Winnicott, whose life and work Bechdel explores along with her own. ”
New York Times (27 April 2012): Bechdel weaves emotional honesty with highbrow deliberation in a way that is never burdensome, and mostly light. “Fun Home” is subtitled “A Family Tragicomic,” and in both books the tragedy and the comedy are so consummately entwined, so gloriously balanced, the reader can’t help being fascinated. “Are You My Mother?” manages to incorporate complicated and sometimes arcane references — to psychoanalysis and the theories of the pediatrician and psychiatrist Donald Winnicott, to the work of Virginia Woolf and Adrienne Rich — into a story that is gripping and funny and radiantly clear.
Washington Post (1 June 2012): “The book’s seven chapters begin with dreams, looming up out of black pages. These images of mirrors, lakes, spiderwebs and Bechdel’s gothic childhood home invite Freudian analysis, into which she dives with abandon. Her body and psyche are laid bare: She draws herself in therapy, at work, in bed with her girlfriends, naked, weeping, bleeding and ﬂat on the ﬂoor in despair. She appears as a wide-eyed, mop-haired child and a harried adult, within a tightly controlled visual framework. In “Fun Home,” neat lines of text and image were etched over cool blues and greys; in “Are You My Mother?” the tint is warmer: soft rose to deep red, the color of blood, brick or the psychoanalyst’s leather couch. The book is heavy with text:
e-mails from her mother, newspaper clippings, extracts from Winnicott and Woolf, letters and diaries, all meticulously transcribed. Bechdel turns words into spidery, painstaking art and imbues even soulless computer typefaces with a consistent personality, so that her presence is palpable in every tiny, wavering line.”
Library Journal (15 May 2012) “Using the twin lenses of literature and psychoanalysis to peer into both past and present, Bechdel examines her own and her mother's lives, interwoven like M.C. Escher's inﬁnite staircase. Simultaneously, she incorporates a metanarrative about herself documenting this history to produce a complex, almost dizzying tour de force of storytelling. In the same way the "fun" in Fun Home, her award-winning memoir about her father, was intended
ironically, the term "comic drama" is similarly multivalent. Certainly, the second work more than matches the ﬁrst for its blend of drama, poignancy, humor, and an intellectual bricolage that folds in Dr. Seuss, psychoanalyst Donald Winnicott, Virginia Woolf, Bechdel's love life and childhood journals, and her talented mother's thwarted theater career. And as with Fun Home, her realistic black-white-gray inks are accented with color: here, deep red tones.”
Judy Grahn Award for Lesbian Non-Fiction, The Publishing Triangle - 2013 - Won
Lambda Literary Award for Lesbian Memoir or Biography - 2013 - Finalist
Los Angeles Times Book Prize for Graphic Novel - 2012 - Finalist
Over the Rainbow Project book list, American Library Association - 2013
Book Resume created by Virginia Library Association and PDSAL
Updated 31 July 2022
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